Brian Hoeflich & the All-Nighters/Thee Pistol Whips/Boombarian/Electric Banana @ Pearl 7.31.08

...racing back to Daytonia afer our appearance on WOXY's Local Lixx program last evening, we said goodbye to July with a great night of music at Pearl, courtesy of Fab Gear. Opening the evening were Troy's Electric Banana with their patented brand of dancefloor-filling guitar-slashing anthems. As the duo's backing tracks oozed big, sensual beats that got the kids moving, the guitar army of two fired off big riffs and dual guitar solos that elevated the whole mess to an absolute frenzy. If you haven't caught Electric Banana yet, you need to make it a point to do so...



...next up we had the primal punk of BoomBarian. Armed with a refreshing sense of humor and an unabashed love of what they're doing, the trio recalled female punk pioneers The Slits, as well as the riot grrrl bands coming from the American northwest. Even their cover of the Stones' "Mother's Little Helper" was draped in the sounds that can only come from Boombarian. Really, how can you not love a band with a girl drummer that stands up and puts baking pans over top of her cymbals?



...although we weren't sold on Thee Pistol Whips in previous reviews, on this night the band opened up a fury that we simply cannot deny. Gone were the organ and apparently two of the go-go singers and instead we found a band that leaving behind its garage tendencies in favor a much more muscular, guitar-driven sound. Laced with tinges of surf and favoring the sounds of vintage Detroit, we're looking for this band to improve even more in the coming months...



...closing out the evening, Brian Hoeflich & the All-Nighters served up a giant slab of vintage surf/garage that filled the dancefloor. Pulling songs from rock n' roll's earliest days (including a rollicking cover of Eddie Cochran's "Something Else"), by the end of the evening the club could very easily have been mistaken for Delta House to any passerby...




For more pics from the evening, go here.

Fab Gear Presents: Brian Hoeflich & the All-Nighters/Thee Pistol Whips/Electric Banana/Boombarian-Tonight @ Pearl

...the good kids at Fab Gear are serving up yet another excellent Thursday night dish for you tonight at Pearl. Head on down to dig the surf/garage of Brian Hoeflich & the All-Nighters, the go-go garage of Thee Pistol Whips, metal/disco duo Electric Banana (highly recommended), and the primal punk of Boombarian...

REVIEW: Jordan Hull-s/t

...sure, it's all too easy to make the obvious references to the earliest phases of a certain harmonica/guitar-playing-singer/songwriter. It's also incredibly easy to get caught up on the fact that he's only 18. The fact remains, however, that young Jordan Hull has issued an incredible debut album.

Working in the Nashville studio of Dayton ex-patriate Patrick Himes and accompanied by Dayton mainstays Brian Lakatos on bass (from Shrug) and Brian Hoeflich on drums (from Flyaway Minion/Brian Hoeflich & the All-Nighters), the nine tracks found on this disc display a command of songcraft that many of Hull's elders have yet to attain. The Sun Records-flavored "On to Me" is an instant classic, with it's singalong chorus that belies the song's strained sentimentality. The incredibly powerful simplicity of "Better Than You" may be the album's finest moment. With its hypnotic sway and pleading confessions, the song most clearly indicates the depth of Hull's writing. Album closer "How Dare He" closes the case with its winding verses echoing some of Dylan's finest moments from his earliest work and also from his post-Time Out of Mind era successes. Rather than be mired in the weight of the master's early socio-political work, Hull draws more from the romantic introspection perfected on Blood on the Tracks.

This is not to say that Hull is merely a Dylan knock-off. Sure, the comparisons are easy to make. However, Hull's other apparent affinity for the earliest strains of country-western, most notably those found through Hank Williams, infuse the album with a much-needed counterpoint. While the tracks that most readily evidence this (mid-album tracks like "Rusty Bones" and "Cause I Know") are some of the weaker moments on the album, by their mere presence they indicate that Hull possesses the depth to transcend whatever similarities his work may have with Dylan and eventually come into his own. Keep in mind, Hull is not yet even in his twenties.

Perhaps more than anyone in Dayton at the moment, Jordan Hull is poised to make a name for himself outside of the Gem City. On the strength of his timeless songwriting, his masterful guitar and harmonica work, and a voice that is at once youthful and wise, Hull may soon catch the attention of audiences that will no more easily accept the unmistakable talent before them.

For a short time, Hull has made a track available as a free download at his website. Head over now and grab the free track, as well a samples of all the tracks...